This summer, I wrote for a film blog at my school. The entries don't go up until this Fall, though, so I thought I'd cross-post them here.
So here we have it, everyone. Part 1 of
salienne Rants About Gender in the Media:
Also, a special thanks to
wemblee for proofreading these and keeping me sane. <3
Women in Television: Lovers, Mothers, and… Oh.
The depiction of women in television tends to be problematic, to say the least. This is true from ensemble shows to one-character shows, from comedy to science-fiction. For purposes of brevity, I’m going to focus on three particular shows, each with a different format, topic, and genre: Stargate: Atlantis, House, and Fringe. These shows demonstrate not only the continued dominance of male characters but also the limits of gender presentation in television, especially as it relates to women.
( For those of us who don’t frequent the SyFy Channel, Stargate: Atlantis (SGA) is a fairly good example of how science-fiction shows tend to treat women. )
So, what can we learn from these three shows, which, while certainly not representative of television as a whole, do demonstrate much of the breadth of female characters? For one, while still underrepresented, women do have a substantial presence on television. Slowly but surely, their interests and positions in structures of power seem to be increasing beyond loving, caring, and mothering.
That said, women’s characters remain anchored by “feminine” characteristics. Women remain love interests, nurturers, mothers first. And while there is nothing wrong with any particular woman having such characterization, the problem comes in when that is the extent of women’s representation. When men are always more interesting. When men have a greater breadth of things they can do, do do, are allowed to do.
Such inequality not only reinforces outdated stereotypes but it is also stale and boring. It leads to predictable plotlines, predictable television. And with the amount of television out there, who really wants to sit down and watch the same old thing over and over again?
So here we have it, everyone. Part 1 of
Also, a special thanks to
Women in Television: Lovers, Mothers, and… Oh.
The depiction of women in television tends to be problematic, to say the least. This is true from ensemble shows to one-character shows, from comedy to science-fiction. For purposes of brevity, I’m going to focus on three particular shows, each with a different format, topic, and genre: Stargate: Atlantis, House, and Fringe. These shows demonstrate not only the continued dominance of male characters but also the limits of gender presentation in television, especially as it relates to women.
( For those of us who don’t frequent the SyFy Channel, Stargate: Atlantis (SGA) is a fairly good example of how science-fiction shows tend to treat women. )
So, what can we learn from these three shows, which, while certainly not representative of television as a whole, do demonstrate much of the breadth of female characters? For one, while still underrepresented, women do have a substantial presence on television. Slowly but surely, their interests and positions in structures of power seem to be increasing beyond loving, caring, and mothering.
That said, women’s characters remain anchored by “feminine” characteristics. Women remain love interests, nurturers, mothers first. And while there is nothing wrong with any particular woman having such characterization, the problem comes in when that is the extent of women’s representation. When men are always more interesting. When men have a greater breadth of things they can do, do do, are allowed to do.
Such inequality not only reinforces outdated stereotypes but it is also stale and boring. It leads to predictable plotlines, predictable television. And with the amount of television out there, who really wants to sit down and watch the same old thing over and over again?